About us

Lewisham Choral Society is a large, lively community-based choir, with almost two hundred singers. Founded in 1950 by a group based at Lewisham’s parish church, it grew in size and ambition, marking its transformation by a change of name to Lewisham Choral Society in the early 1980s. The Society is a member of Making Music – the National Federation of Music Societies.

We are a performing choir, staging four concerts a year and taking part in other choral singing events and collaborations when opportunities arise. Under the professional direction of Dan Ludford-Thomas and his deputy Nico de Villiers, the choir’s repertoire ranges from the sixteenth century to the twenty-first – Monteverdi’s Vespers of 1610 through to contemporary works by Will Todd and Eric Whitacre.  The full extent of our repertoire can be found here and our members have added their favourites.

The mainstream choral tradition is very much there with performances of the Requiems of Mozart, Verdi, Brahms and Fauré, and Bach’s St John Passion. In March 2012, Lewisham Choral Society joined with the Hackney Singers to perform Handel’s Messiah at the Royal Festival Hall. We were back at the Royal Festival Hall in March 2015 for the Mozart Requiem, again with Hackney Singers.  Our other concert venues include the Cadogan Hall, the Fairfield Halls, and – closer to home, at New Cross – Goldsmiths Great Hall.

Paralympic finaleThe reputation of the choir for delivering excellent performances has led to invitations from professional arts organisations: notably at the Young Vic where our singers made up the off-stage chorus in productions of Jonathan Dove’s Tobias and the Angel and Kurt Weill’s Street Scene. The four-hundred strong choir at the London 2012 Paralympic opening ceremony included a hundred LCS singers -an unforgettable occasion. In May 2015 we took part in a charity performance of Will Todd’s Mass in Blue at St John’s Smith Square in support of the Rainbow Trust.

If you would like to join our mailing list to learn more please click here.

[Images: Trevor Jarvis; Daniel Sambraus]

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